Features of the Development of Vietnamese Choreographic ART

Abstract

For the first time, based on a multidimensional model of Vietnamese culture, the article examines the features of the development of Vietnamese dance art, the process of its professionalization, and the introduction of European classical dance to Vietnamese soil. A layer of authentic Vietnamese culture is taken as a framework, around which the configuration of cultural elements and the style of art are crystallized in different historical and cultural contexts. The classification of types and types of Vietnamese choreographic art is given. The emergence of the national ballet as a new type of performing art for Vietnam is analyzed from the point of view of the contact of authentic Vietnamese culture with Chinese Confucian and Buddhist, European, Soviet, modern Western cultural traditions. The most significant works of small and large chore ographic forms of 1950—2024 are given. The scientific significance of the conclusions lies in the fact that the methodological approach developed by the authors, the factual material introduced into scientific circulation and the formulated conclusions help to clarify the modern picture of the dynamics of Vietnamese culture and art. The article shows the role and importance of modern choreographic art in establishing interstate cooperation. The conclusion is made about the progressive development of Vietnamese choreographic art, and the need to preserve traditional Vietnamese culture is emphasized.